Pour ce nouvel opus sur le label ACEL, le compositeur français de musique concrète et instrumentale Jean-Baptiste Favory nous propose un voyage dépaysant
au coeur du son, qu'il soit concret ou électronique.
"La grande marée" fait référence aux mouvements des vagues, qu'elles soient maritimes, sonores, intimes, ou l'illustration chaotique des temps troublés que nous vivons tous. Ces vagues d'ondes vous font traverser des univers inconnus et inouïs.
For this new release on the ACEL label, French composer of musique concrète, electronic and instrumental music Jean-Baptiste Favory invites us on a journey—one that transports us to the very heart of sound, whether concrete or electronic. "La grande marée" (The Great Tide) alludes to the movement of waves—be they oceanic, sonic, or deeply personal—as well as serving as a chaotic reflection of the turbulent times we are all living through. These surging waves carry you across unknown and unheard-of realms.
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Notre ami Jeff Rian publie son dernier opus "Just like this, raw" chez Coriolis Sounds. Enregistré par Cédrick Eymenier, sans aucun effets ni montage, mais simplement un overdubb de la partie guitare électrique G&L Telecaster. Le contenu des chansons sont toutes relatives à des situations intimes relatant des impressions et des situations vécues par Jeff.
"Just like this, raw", is the second album I’ve made with Cédrick Eymenier. Our first was "Such Is Life", in 2023, from which, in 2024, he made a film with the same title. Cédrick recorded the tracks in a small studio in Montpellier. I sang and played the guitar simultaneously, using a recently purchased Martin, electro-acoustic Dreadnought Junior, then overdubbed the electric guitar through a small amp, using my semi-hollow G&L Telecaster. We called the album “raw” because there are no effects, no click track, or micro-editing. Recorded at Coriolis Sounds. words by Jeff Rian
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Et aussi cet album de 2020 oublié mais heureusement redécouvert: "Eyeballing" un album de Sarah Murcia, bassiste hors pair de jazz (mais pas que!) et formidable partenaire de projets et d'artistes divers comme Kamilya Jubran, Magic Malik Orchestra, Las Ondas Marteles ... etc...
Ici, avec la complicité du producteur Steve Argüelles, accompagnée par Olivier Py (tenor and soprano sax), François Thuillier (tuba), Benoît Delbecq (e-drums, piano) et les lyrics de notre ami Vic Moan.
And don't miss this 2020 album—forgotten, but fortunately rediscovered: "Eyeballing" a record composed by Sarah Murcia—an exceptional jazz bassist (though her talents extend well beyond that genre!) and a brilliant collaborator with a wide range of artists and projects, such as Kamilya Jubran, the Magic Malik Orchestra, Las Ondas Marteles, and many others. On this release, she joins forces with producer Steve Argüelles, supported by Olivier Py (tenor and soprano sax), François Thuillier (tuba), and Benoît Delbecq (electronic drums, piano), with lyrics by our friend Vic Moan.
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