" – Peu importe d’où l’on vient. Il n’y a pas de tonique. Le thème et son développement ne sont qu’un mirage…
Il y a une musique toujours inattendue.
– Et les dissonances ?
– Dieu les a créées, elles aussi…"
Jaume Cabré - "Voyage d'hiver" - 2014

”La terre, il se pourrait bien après tout que ce soit une espèce
de merveilleux petit appareil enregistreur, plaçé là par on ne sait qui,
pour capter tous les bruits qui circulent mystérieusement dans l’Univers.”
Pierre Reverdy - ”En vrac” - 1929

”J’entends tous les bruits de la terre grâce à mes oreilles et mes nerfs de cristal
dans lesquels circulent le feu du ciel et celui des volcans.”
Michel Leiris - ”Le point cardinal” - 1927

"L'écoute, c'est l'ombre de la composition"
Pascal Dusapin - 2008

 

Affichage des articles dont le libellé est Schönberg. Afficher tous les articles
Affichage des articles dont le libellé est Schönberg. Afficher tous les articles

15/02/2025

Tanzscene

 
"Tanzscene"(scène de danse) est la 5éme partie (de 7) de la "Sérénade opus 24", une musique de chambre pour baryton et septuor composée par le compositeur autrichien Arnold Schönberg  en 1923.
Le film, réalisé pour le concert "d'une sérénade à l'autre" par l'artiste, philosophe, scénographe français Christophe Schaeffer  est une forme expérimentale qui explore la nature d’un langage poétique entre l’image et la musique. 
 Ici, "Tanzscene"est un des 14 films tirés de ce projet autour de la pièce de Schönberg en résonance avec le tableau "Le concert" de Nicolas de Staël et l'oeuvre du compositeur Laurent Cuniot
 
"Le sujet du film n’est pas la vie de Nicolas de Staël, ni le tableau "Le Concert" ou le rapprochement artistique entre peinture et musique. De même qu’en aucune façon, il serait question de produire une illustration picturale à la partition. L’objectif, s’il en est un, serait d’ouvrir un espace entre les œuvres, de les faire résonner dans le surgissement des sens, de donner à voir et à entendre autrement."
 

"Tanzscene" (a dance scene) is the 5th part (of 7) of the "Sérénade opus 24", a chamber music for baritone and septet composed by the Austrian composer Arnold Schönberg in 1923. 
The film, build for the concert "d'une sérénade à l'autre" by the French artist, philosopher and  scenographer Christophe Schaeffer is an experimental form that explores the nature of a poetic language between image and music. 
The movie "Tanzscene" is one of the 14 executed from this project around the piece by Schönberg in resonance with the painting "Le concert" by Nicolas de Staël and the work of the composer Laurent Cuniot. 
 
"The subject of the film is not the life of Nicolas de Staël, nor the painting "The Concert" or the artistic connection between painting and music. Nor would it in any way be a question of producing a pictorial illustration of the score. The target, if there is one, would be to open up a space between the works, to make them resonate in the surge of the senses, to give to see and to hear differently." 
 
 
& un lien sur "En attendant Nadeau" concernant Christophe Schaeffer
 
///_\\\

19/05/2022

Round Table on Modern Art

 

The Western Round Table on Modern Art.

San Francisco, April 8, 9 and 10, 1949.

The object of the Round Table was to bring a representation of the best informed opinion of the time to bear on questions about art today (1949). 

with  George Boas (Moderator): philosopher; John Hopkins University; Trustee, Baltimore Museum of Art. Gregory Bateson: cultural anthropologist, lecturer, authority on Bali and New Guinea. Kenneth Burke: literary critic, philosopher, novelist. Marcel Duchamp: artist. Alfred Frankenstein: critic; music and art editor, San Francisco Chronicle. Robert Goldwater: critic and art historian; Associate Professor of Art, Queens College. Darius Milhaud: composer and conductor. Andrew C. Richie: art historian and critic. Mark Tobey: artist. Frank Lloyd Wright: architect &  Arnold Schönberg: composer.

 

Marcel Duchamp & Gregory Bateson
 

Three sessions were scheduled for the first two days; an unscheduled fourth session was added the third day at the request of some participants. The second session was open by invitation to the public and to members of the San Francisco Art Association; the three other sessions were closed.

 





recordingsimages  &  transcript

Schönberg was unable to participate in the round table discussion, and instead recorded part of his contribution on his Webster Wire Recorder.

 


thanks to UBU web for these documents

_I_-0-_I_

13/01/2020

Arnold Schönberg talks

http://beyond-the-coda.blogspot.fr/2012/12/a-famous-quintet.html

"Qui je suis" is a documentary produced by the "Arnold Schönberg Center" in Vienna
where we can listen Schönberg himself talking about music and painting
with rare archives.

http://beyond-the-coda.blogspot.fr/2012/12/a-famous-quintet.html

Other interresting movies are passed by the Opera de Paris on the occasion of the new release of the opera "Moses and Aron".
Her daughter Nuria Schoenberg Nono is describing the office of his father.

Here the main movie : "Qui je suis"



and more

a Schönberg's archiv from 1890
&
a transfigured night in 1935
&
US period in the 40s


*****

23/12/2012

A famous quintet



A famous quintet with Louis Savant or Georg Schönberg (1906/1974)? son of Arnold? (horn), Fritz Kreisler (Violin), Arnold Schönberg (cello), Eduard Gärtner (violin) & Karl Redlich (flute). circa 1890? 
 
Karl Redlich could be the ancient patron of Arnold himself ?
 
Welcome for more informations.
 
--//-- 

Verklärte Nacht

On this specific spot,the Schönberg' s night is really transfigured!


Arnold Schönberg conducts the Los Angeles Philharmonic in a rehearsal of Verklärte Nacht, Op. 4 in March 1935 (silent movie)

20/12/2012

Atonal silence



Silent movie taken by Serge Hovey, shows Arnold Schönberg at a beach party in Malibu with friends such as Ira Gershwin, Thomas Mann, Bertrand Russell, and the american pianist Richard Buhlig , and also his two children Ronald and Nuria (who was Luigi Nono's wife).





  
Arnold Schönberg speaks <<<here>>>

***