" – Peu importe d’où l’on vient. Il n’y a pas de tonique. Le thème et son développement ne sont qu’un mirage…
Il y a une musique toujours inattendue.
– Et les dissonances ?
– Dieu les a créées, elles aussi…"
Jaume Cabré - "Voyage d'hiver" - 2014

”La terre, il se pourrait bien après tout que ce soit une espèce
de merveilleux petit appareil enregistreur, plaçé là par on ne sait qui,
pour capter tous les bruits qui circulent mystérieusement dans l’Univers.”
Pierre Reverdy - ”En vrac” - 1929

”J’entends tous les bruits de la terre grâce à mes oreilles et mes nerfs de cristal
dans lesquels circulent le feu du ciel et celui des volcans.”
Michel Leiris - ”Le point cardinal” - 1927

"L'écoute, c'est l'ombre de la composition"
Pascal Dusapin - 2008

 

Affichage des articles dont le libellé est drone. Afficher tous les articles
Affichage des articles dont le libellé est drone. Afficher tous les articles

09/01/2024

Working title: Phill Niblock


RIP Phill Niblock (octobre 1933 - janvier 2024)
 
A travers une vingtaine d'essais de musicologues, critiques et historiens de l'art, et d'entretiens avec Phill Niblock, directeur de la fondation "Experimental Intermedia", cet excellent ouvrage offre un panorama des activités, depuis les années 1960, de l'artiste-musicien new-yorkais, compositeur majeur du courant minimaliste américain et artiste multimédia.


"Le changement se produit de telle sorte qu'on entend pas fondamentalement  un changement de note mais un changement dans la manière dont on entend cette note."
Robert Ashley about Phill Niblock's music

Le livre en bilingue (french & english) est édité par les Presses du réel et contient deux DVDs offrant environ 8 heures de films.

disponible chez  Souffle Continu  &  Bimbo Tower

 
 
ce post a été publié originellement en 2013
 
voir aussi "MAX" , un film "portrait" de Max Neuhaus par Phill Niblock
 
***

14/03/2022

Throats

 

"Throats" is the last opus (january 2022) of David Watson, the New-Zealander musician who spent years as part of the experimental community in New-York, playin bagpipes and guitar. David Watson is part of the trio "Glacial" with Lee Ranaldo and Tony Buck. And in "Throats" he had  collaborations with avant-garde vocalists Shelley Hirsch (vocal) and Koichi Makigami (jew's harp and vocal).


David Watson has a deep personal interest in processions and parades and has created new works for this form of music with bagpipes. As an experimental musician, he is drawn to combinations of order and disorder.


 


Three other links for David Watson on "Beyond the coda" HERE

& to read and listen:  "Bagpipes in experimental music"

 

..._*0I0*_...


01/04/2021

A few spring' news

 

////  La langue de l'Ophiolite
"... drones that come from a committed study of duration, harmonic thermodynamics - when they play it is like a microtonal maelstrom ... ... with a 360° sight and audition, where the blind spots of the optic or sonic nerves are the serpentine vector of ecstatic... "


 
 

A meeting in between Yann Gourdon et Filipe Felizardo, and their music to listen to.
Thanks to Lisa and Andre from the Portuguese label Trás-os-Montes Records.  




////  Loss


 

"Loss" is the recent new opus by the unerringly emotional Alastair Galbraith, with short pieces training us in a kind of peacefull spleen, specific of "taieri mouth" (Dunedin), the place where he is living in south New Zealand. With guitars, fire organ, voice...

Other posts for Alastair Galbraith






 

////  Weird studies


 

Produced, composed, recorded and mixed in Montréal by Pierre-Yves Martel, this new opus titled "Weird Studies: Music from the Podcast vol.1". With complicity of PHILIPPE LAUZIER, ISAIAH CECCARELLI, KATELYN CLARK  and CARL LUDWIG HÜBSCH.

Art cover by Thierry Azam

 

 

 

 

 

 

About the PODCAST:  Professor Phil Ford and writer/filmmaker J. F. Martel host a series of conversations on art, philosophy and the weird, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."



////  Didone


 

April 2021: New LP: "Didone" on Kohlhaas Records. 

Alessandro Bosetti' new compositions for a fiery sextet recorded in Modena in september 2019 with Giulia Zaniboni, voice. Dan Kinzelman, tenor sax, flute. Luca Perciballi, electric guitar and acoustic guitar. Glauco Salvo, electric guitar, banjo. Simone Sferruzza, drums. Andrea Grillini, drums. Artwork by Ettore Tripodi.

more on his new website

LP [KHS 018] -  Out April 2021 Pre-order

   


"Didone", a composition to listen to, built around combinatory poems of 84 aphorisms, issued from the interviews of the musicians involved in the project.



////  Processions


The french cello player Stéphane Clor’s work is a perpetual round-trip between music explorations and art experiments. He considers space a resonant body which he makes to vibrate with minimalist instrumental compositions, as well as with installations using fine vibrating elements such as a quivering of a dry leaf or a surface’s resonance.

 

 

 

 

"Processions" by Stephane Clor 2021, Les Noues
a new record to be published - 27 mai 2021

 

 

//// Sacrificial Code

And with delay, this hypnotic 2019 "Sacrificial Code" by the minimalist composer Kali Malone located in Stockholm, Sweden. Highly recommended!


////


21/02/2020

Clara de Asís



Clara de Asís est une compositrice et guitariste d'origine espagnole basée à Marseille en France.
Son travail expérimental est principalement articulé autour de l'écoute,
des micro tonalités et du (presque) silence.

Ses performances sonores et concerts dans lesquels elle utilise guitares acoustiques et électriques, et aussi de simples installations génératrices de fréquences,
lui permettent de créer de longues pièces nous invitant à une écoute active.
Proche des univers sonores de Pauline Oliveros, Phill Niblock ou d'Eliane Radigue,
Clara brouille les cartes entre la stricte composition et l'improvisation,
 et nous convie à l'exploration de la tonalité et du timbre de sa musique,
tout autant qu'à  l'introspection et à la quiétude. 

”Je suis allée vers une forme particulière d’écriture de la musique, précise et à la fois trés ouverte. C’est une ouverture qui se déploie dans la musique, mais aussi et surtout, une ouverture qui a lieu en soi-même…”   
Clara de Asis

Ouverture partagée par elle-même quand elle performe,
tout autant que par-nous mêmes les auditeurs.



Clara de Asís - ITW de Didier Aschour in ”Revue et corrigée” automne 2019


Clara de Asís dans l'émission "Epsilonia" sur Radio Libertaire


Clara de Asís is a Spanish composer and guitarist located in Marseille, France.
Her experimental work is mainly articulated around the listening, the micro-tonality and the silence.
Her sound performances in which she uses acoustic and electric guitars, and also devices  generating simple frequencies, allow her to create long pieces inviting us to an active listening.
Not far away from the sound universes of Pauline Oliveros, Phill Niblock or Eliane Radigue, Clara shuffles the cards between strict composition and improvisation, and invites us to explore the tone of her music, as well introspection and quietness.


"I went to a specific form of music writing, precise and at the same time very open. It’s an opening that unfolds in music, but also and above all, an opening that takes place in oneself ... ” CdA 

Opening shared by herself when she performs as well by ourselves, the listeners.


^^^_*_^^^



Notes for "do nothing" - 2017







---÷¨¨¨÷---


Clara de Asís "in a landscape"



<_<+*+>_>

ECOUTER
Clara de Asís dans l'émission "Epsilonia" sur Radio Libertaire
Clara de Asís was invited in the radio show "Epsilonia" on Radio Libertaire

L'émission Epsilonia sur Radio Libertaire 
est dédiée à la découverte et à la défense des musiques expérimentales, 
musique contemporaine, électroacoustique, improvisée, bruitiste, ambiante, progressive, free-jazz, 
ainsi que des domaines comme la poésie sonore ou le spoken word.
Unpedigreed Music Since 1986 
Chaque Jeudi à 22H sur Radio Libertaire

***

18/01/2020

Anna Thorvaldsdóttir



Anna Thorvaldsdóttir is an Icelandic composer whose music is composed as much by sounds and nuances as by harmonies and lyrical material.
Her work is written as an ecosystem of sounds, where materials continuously grow in and out of each other, often inspired in an important way by nature and its many qualities, in particular structural ones, like proportion and flow.

To read, a column of her "Concurrence" CD on the blog "a closer listen".


the sublime minimalism of her piece"" by the Esbjerg Ensemble

 

and don't miss her piece "Metacosmos" (2017) played by the Iceland Symphony Orchestra 

***

27/08/2019

MMMD



The brilliant greek duo MMMD (previously part of the trio Mohammad) including cellist Nikos Veliotis
and ILIOS on oscillators, released 2 new opus as CDs/LPs.

The new one titled "Egoismo" will be officialy release as LP  (500 copies)
on Antifrost label on the 13th of september.

https://hatredmeanswarzine.blogspot.com/2019/08/mmm-interview.html?m=1&fbclid=IwAR0jUqZVVkEg5KnIf9We55gSnszUyGg1Fx-v51o-y-JyhfkgoDlFCIxi1tI

The other one is a live recording of a concert at St.Paul's Anglican Church in Athens in 2016

https://mohammadsound.bandcamp.com/album/07042016-live-at-st-pauls-anglican-church-athens


&

 "Hagazussa" is a Lukas Feigelfeld movie's soundtrack.
A haunted pleasure of long dark medieval drones... mainly with strings

 

”Mohammad belong to these rare few cases of experimentalists that make full use of Xenakis’ holistic perception and Christou’s experimental disposition to develop their music based on the gret heritage of these masters…”  Plakias (in Wire magazine) 2010



***

12/01/2018

France


According the compositions with the architectural suroundings, Yann Gourdon plays amplified hurdy-gurdies with the band France, a trio composed with Matthieu Tilly on drums & Jérémie Sauvage on electric bass guitar. 


"as musician, composer and sound artist, I consider vibratory fields and perception as a medium. My work focuses on the observation of acoustic phenomena in dynamic relation with the environment - architecture / landscape."  Yann Gourdon

more infos on Yann Gourdon as sound artist: here

to listen to this amazing obsessed live piece by France
in Paris last september 2017 at La Maroquinerie
thanks to NiloNilaz channel

01/07/2016

PACE (One)

 

part 1

The duo PACE (One) is composed by Cédrick Eymenier & Palix.

The artist Cedrick Eymenier is a part of the band "Cats Hats Gowns", as well his main work is visual with pictures and the famous movies' serie of "Platform" .

In 2006, PACE (One) published a work called "Chroniques Turinoises" for an art show curated by "Purple" magazine at French Institute in Torino - Italy. 
For a live concert at Purple Institute in Paris in december 2004,
they played bass guitar and an electric vietnamese Dan Bau. 









 Pace (one) original score


part 2 

Listen an excerpt of the PACE(One) live concert at Purple Institute, as soundtrack of the movie "2004 or..." of our friend Sébastien J.



excellent movie scene’s content which resonate particularly these last days, including that fabulous speaker-shouter, probably member of the ”South Wales Striking Miners Choir”, listenable on the famous record ”Shoulder to shoulder” published by Test Department in 1985 (all profits of that record  went to support one of the rough strikes of 1984).


16/11/2015

Found metal


When SuperCollider for real time signal control metallic pieces, wheels and solenoid...
A project by the american composer Scott Lindroth.




16/06/2015

Gruidés

     "gruidés"  5 first minutes' score

L'ensemble ONCEIM, composé d'une trentaine de musiciens improvisateurs, a exécuté la création "Gruidés" que Stephen O'Malley , fondateur de Sunn O))), a composé pour eux.

Une représentation de cette oeuvre a eu lieu à l'église Saint Merry à Paris, il y a quelques jours, dans le cadre des Rendez-vous Contemporains.
Une pièce de 35 minutes, lente, majestueuse et appelant à la méditation, superbe.

    
merci à A.Z.  pour ses captations de nombreux concerts

27/03/2014

A l'écoute


http://www.revue-et-corrigee.net/

Troisième bobine du dossier "Filmer la musique" publié par "Revue et corrigé"
Dans ce numéro de Mars 2014, entretien avec Anaïs Prosaïc, réalisatrice de nombreux films sur des musiciens aussi divers que Marc Ribot, Sylvie Courvoisier, Patti Smith, Cesaria Evora, Eliane Radigue, Mahmoud Ahmed & le Either Orchestra ...


"... The eight chapters of  "L'Écoute Virtuose / Virtuos Listening" are demarcated by images of the surface activity of water, both the water imagery and titling  foreshadowed in the 2006 film. Prosaic is content to allow her portrait of Radigue to be limned via the conventions of such documentaries: archival footage, anecdotes, interviews and performances. She trusts the subject to be sufficiently compelling without the superfluous and self-conscious filmic gestures that irritate the viewer in less confident filmmakers.  The imagery is distilled down to water and the mirror-mind experience of hearing Radigue's music. The listening experience is filmed chiefly during the staggering Triptych concert series, an event honoring Radigue's work held June 12-26, 2011 at various venues around London. Of the eight concerts comprising that event, Prosaic focuses on performances by, and interviews with, Rhodri Davies, Bruno Martinez, Carol Robinson, Charles Curtis, Kaffe Matthews, Kaspar T. Toeplitz, Ryoko Akama, and Emmanuel Holterbach..."
 excerpt of  review by Jesse Goin on his blog  "crowwithnomouse" last january


Extraits du film "L'écoute virtuose", autour de l'univers musical d' Eliane Radigue.
Directed by Anaïs Prosaïc - produced by Stéphane Jourdain for "La Huit"



et aussi

07/03/2013

Som Sakrifis


Formed of a trio including Coto K on contrabass, cellist Nikos Veliotis and ILIOS on oscillators, the greek band Mohammad is playing long form drone pieces.
Their new album "Som Sakrifis" is out on PAN



another piece from 2010 called "Vildblomma" from their CD "Roto Vildblomma" Antifrost (afro2044)