A travers une vingtaine d'essais de musicologues, critiques et
historiens de l'art, et d'entretiens avec Phill Niblock, directeur de la fondation "Experimental Intermedia", cet excellent ouvrage offre un panorama des
activités, depuis les années 1960, de l'artiste-musicien new-yorkais, compositeur majeur du courant minimaliste américain et artiste multimédia.
"Le changement se produit de telle sorte qu'on entend pas fondamentalement un changement de note mais un changement dans la manière dont on entend cette note." Robert Ashley about Phill Niblock's music
Le livre en bilingue (french & english) est édité par les Presses du réel et contient deux DVDs offrant environ 8 heures de films.
"Throats" is the last opus (january 2022) of David Watson, the New-Zealander musician who spent years as part of the experimental community in New-York, playin bagpipes and guitar. David Watson is part of the trio "Glacial" with Lee Ranaldo and Tony Buck. And in "Throats" he had collaborations with avant-garde vocalists Shelley Hirsch (vocal) and Koichi Makigami (jew's harp and vocal).
David Watson has a deep personal interest in processions and parades and has
created new works for this form of music with bagpipes. As an experimental musician, he is
drawn to combinations of order and disorder.
Three other links for David Watson on "Beyond the coda" HERE
//// La langue de l'Ophiolite "...
drones that come from a committed study of duration, harmonic
thermodynamics - when they play it is like a microtonal maelstrom ...
... with a 360° sight and audition, where the blind spots of the optic
or sonic nerves are the serpentine vector of ecstatic... "
Thanks to Lisa and Andre from the Portuguese label Trás-os-Montes Records.
//// Loss
"Loss" is the recent new opus by the unerringly emotional Alastair Galbraith, with short pieces training us in a kind of peacefull spleen, specific of "taieri mouth" (Dunedin), the place where he is living in south New Zealand. With guitars, fire organ, voice...
Produced, composed, recorded and mixed in Montréal by Pierre-Yves Martel, this new opus titled "Weird Studies: Music from the Podcast vol.1". With complicity of PHILIPPE LAUZIER, ISAIAH CECCARELLI,
KATELYN CLARK and CARL LUDWIG HÜBSCH.
About the PODCAST:
Professor Phil Ford and writer/filmmaker J. F. Martel host a series of
conversations on art, philosophy and the weird, dwelling on ideas that
are hard to think and art that opens up rifts in what we are pleased to
call "reality."
Alessandro Bosetti' new compositions for a fiery sextet recorded in Modena in september 2019 with Giulia Zaniboni, voice. Dan Kinzelman, tenor sax, flute. Luca
Perciballi, electric guitar and acoustic guitar. Glauco Salvo, electric
guitar, banjo. Simone Sferruzza, drums. Andrea Grillini, drums. Artwork
by Ettore Tripodi.
"Didone", a composition to listen to, built around combinatory poems of 84 aphorisms, issued from the interviews of the musicians involved in the project.
//// Processions
The french cello player Stéphane Clor’s work is a perpetual round-trip between music
explorations and art experiments. He considers space a resonant body
which he makes to vibrate with minimalist instrumental compositions, as
well as with installations using fine vibrating elements such as a
quivering of a dry leaf or a surface’s resonance.
"Processions" by Stephane Clor2021, Les Noues
a new record to be published - 27 mai 2021
//// Sacrificial Code
And with delay, this hypnotic 2019 "Sacrificial Code" by the minimalist composer Kali Malone located in Stockholm, Sweden. Highly recommended!
Clara de Asís est une compositrice et guitariste d'origine espagnole basée à Marseille en France.
Son travail expérimental est principalement articulé autour de l'écoute,
des micro tonalités et du (presque) silence.
Ses performances sonores et concerts dans lesquels elle utilise guitares acoustiques et électriques, et aussi de simples installations génératrices de fréquences,
lui permettent de créer de longues pièces nous invitant à une écoute active.
Proche des univers sonores de Pauline Oliveros, Phill Niblock ou d'Eliane Radigue,
Clara brouille les cartes entre la stricte composition et l'improvisation,
et nous convie à l'exploration de la tonalité et du timbre de sa musique,
tout autant qu'à l'introspection et à la quiétude. ”Je suis allée vers une forme particulière d’écriture de la musique, précise et à la fois trés ouverte. C’est une ouverture qui se déploie dans la musique, mais aussi et surtout, une ouverture qui a lieu en soi-même…” Clara de Asis
Ouverture partagée par elle-même quand elle performe,
tout autant que par-nous mêmes les auditeurs.
Clara de Asís is a Spanish composer and guitarist located in Marseille, France. Her experimental work is mainly articulated around the listening, the micro-tonality and the silence. Her sound performances in which she uses acoustic and electric guitars, and also devices generating simple frequencies, allow her to create long pieces inviting us to an active listening. Not far away from the sound universes of Pauline Oliveros, Phill Niblock or Eliane Radigue, Clara shuffles the cards between strict composition and improvisation, and invites us to explore the tone of her music, as well introspection and quietness.
"I went to a specific form of music writing, precise and at the same time very open. It’s an opening that unfolds in music, but also and above all, an opening that takes place in oneself ... ” CdA Opening shared by herself when she performs as well by ourselves, the listeners.
L'émission Epsilonia sur Radio Libertaire est dédiée à la découverte et à la défense des musiques expérimentales, musique contemporaine, électroacoustique, improvisée, bruitiste, ambiante, progressive, free-jazz, ainsi que des domaines comme la poésie sonore ou le spoken word. Unpedigreed Music Since 1986 Chaque Jeudi à 22H sur Radio Libertaire
Anna Thorvaldsdóttir is an Icelandic composer whose music is composed as much by sounds and nuances as by harmonies and lyrical material. Her work is written as
an ecosystem of sounds, where materials continuously grow in and out of
each other, often inspired in an important way by nature and its many
qualities, in particular structural ones, like proportion and flow.
To read, a column of her "Concurrence" CD on the blog "a closer listen".
The brilliant greek duo MMMD (previouslypart of the trioMohammad) including cellist Nikos Veliotis
and ILIOS on oscillators, released 2 new opus as CDs/LPs.
The new one titled "Egoismo" will be officialy release as LP (500 copies)
on Antifrost label on the 13th of september.
The other one is a live recording of a concert at St.Paul's Anglican Church in Athens in 2016
&
"Hagazussa" is a Lukas Feigelfeld movie's soundtrack.
A haunted pleasure of long dark medieval drones... mainly with strings
”Mohammad belong to these rare few cases of experimentalists that make full use of Xenakis’ holistic perception and Christou’s experimental disposition to develop their music based on the gret heritage of these masters…” Plakias (in Wire magazine) 2010
According the compositions with the architectural suroundings, Yann Gourdon plays amplified hurdy-gurdies with the band France, a trio composed with Matthieu Tilly on drums & Jérémie Sauvage on electric bass guitar.
"as musician, composer and sound artist, I consider vibratory fields and perception as a medium. My work focuses on the observation of acoustic phenomena in dynamic relation with the environment - architecture / landscape." Yann Gourdon
In 2006, PACE (One) published a work called "Chroniques Turinoises" for an art show curated by "Purple" magazine at French Institute in Torino - Italy.
For a live concert at Purple Institute in Paris in december 2004,
they played bass guitar and an electric vietnamese Dan Bau.
Pace (one) original score
part 2
Listen an excerpt of the PACE(One) live concert at Purple Institute, as soundtrack of the movie "2004 or..." of our friend Sébastien J.
excellent movie scene’s content which resonate particularly these last days, including that fabulous speaker-shouter, probably member of the ”South Wales Striking Miners Choir”, listenable on the famous record ”Shoulder to shoulder” published by Test Department in 1985 (all profits of that record went to support one of the rough strikes of 1984).
L'ensemble ONCEIM, composé d'une trentaine de musiciens improvisateurs, a exécuté la création "Gruidés" que Stephen O'Malley , fondateur de Sunn O))), a composé pour eux.
Une représentation de cette oeuvre a eu lieu à l'église Saint Merry à Paris, il y a quelques jours, dans le cadre des Rendez-vous Contemporains.
Une pièce de 35 minutes, lente, majestueuse et appelant à la méditation, superbe.
merci à A.Z. pour ses captations de nombreux concerts
Troisième bobine du dossier "Filmer la musique" publié par "Revue et corrigé"
Dans ce numéro de Mars 2014, entretien avec Anaïs Prosaïc, réalisatrice de nombreux films sur des musiciens aussi divers que Marc Ribot, Sylvie Courvoisier, Patti Smith, Cesaria Evora, Eliane Radigue, Mahmoud Ahmed & le Either Orchestra ...
"... The eight chapters of "L'Écoute Virtuose / Virtuos Listening" are demarcated
by images of the surface activity of water, both the water imagery and
titling foreshadowed in the 2006 film. Prosaic is content to allow her
portrait of Radigue to be limned via the conventions of such
documentaries: archival footage, anecdotes, interviews and performances.
She trusts the subject to be sufficiently compelling without the
superfluous and self-conscious filmic gestures that irritate the viewer
in less confident filmmakers. The
imagery is distilled down to water and the mirror-mind experience of
hearing Radigue's music. The listening experience is filmed chiefly
during the staggering Triptych concert series, an event honoring
Radigue's work held June 12-26, 2011 at various venues around London. Of
the eight concerts comprising that event, Prosaic focuses on
performances by, and interviews with, Rhodri Davies, Bruno Martinez,
Carol Robinson, Charles Curtis, Kaffe Matthews, Kaspar T. Toeplitz,
Ryoko Akama, and Emmanuel Holterbach..." excerpt of review by Jesse Goin on his blog "crowwithnomouse" last january
Extraits du film "L'écoute virtuose", autour de l'univers musical d' Eliane Radigue.
Directed by Anaïs Prosaïc - produced by Stéphane Jourdain for "La Huit"
Formed of a trio including Coto K on contrabass, cellist Nikos Veliotis
and ILIOS on oscillators, the greek band Mohammad is playing long form drone pieces.
Their new album "Som Sakrifis" is out on PAN
another piece from 2010 called "Vildblomma" from their CD "Roto Vildblomma"Antifrost (afro2044)