in Japan, New-Zealand, China, Java...
Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. The Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony.
“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003.
We hear dogs barking, a distant thunderstorm and voices imitating
animals.
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& with the amazing Belgian label OKRAINA Records
"Don't drown" in New-Zealand with Stefan Neville and Greg Malcolm
The sessions have had a couple of years to marinate, courtesy of some pandemic, and are here offered in that most Archducal of vinyl formats, the double ten inch. What are you waiting for, a side of Crabby Patties? Get your water-wings and dive in (unless you’re tripping)!" -- Bruce Russell (2023)
but in Ireland?
or in Greece?
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и даже?
en Italie avec Berio et son "Folk song Cycle" par Eloïse Decaze et Delphine Dora (2015)
et la version de Cathy Berberian ICI
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and in Indonesia,
with Senyawa (+ Vincent Moon) , "Calling the new gods" (2017)
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and in Beijing,
"UFO space", opened during the interim of two Covid lockdowns, is an experimental music location in Beijing founded by Ryan Lui. The first major event in november 2020 was a meeting with Subjam's Yan Jun, Zhu Wembo and Li Jianhong.
more about eclectic musical spaces in Beijing and music to listen to in "Global Ear"'s chronicle in the october 2023 issue of The Wire magazine.
!_OH_!
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