WI WATT’HEURE
L’écoute comme "fabrique de la citoyenneté" avec Radio Papesse et Süden Radio
est un projet conçu et réalisé par Carole Rieussec et Elena Biserna
soutenu par la revue trimestrielle "Revue et corrigée".
Cette rubrique interroge la sphère sociale et politique à travers le regard des femmes.
Il y est question de comment sonne le Sud, de savoir si l'écoute peut être un outil de déconstruction des narrations dominantes autour de cette notion? Ou encore un outil pour perturber les constructions binaires des identités géopolitiques?
"wi watt’heure #27" vous propose une conversation
autour des pièces de Youmna Saba, Daniel Bargach Mitre, Jasmina Metwaly et Meira Asher
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Meira Asher is a sound art activist whose work explore social documentary, radio art, and
the expression/transition of traditional rhythms in/to contemporary
music. She is firmly devoted to the present day to Palestinian and Israeli conflict.
"North Jordan Valley 2018" is a well-orchestrated piece where the sonic layering manages to reflect
the geopolitical reality of the region
and a masterly stereophony is an effective sonic transcription of the Israel and Palestine binomy.
Despite the repeated murmurings of a judicial ruling that makes the space uninhabitable,
Asher resist this dynamic by making use of the porous nature of the spoken word.
The repeated evacuation order in English collapses into meaninglessness through repetition and sonic confusion, while other languages find a way to inhabit a space of extra-linguistic power.
"North Jordan Valley 2018" is a well-orchestrated piece where the sonic layering manages to reflect
the geopolitical reality of the region
and a masterly stereophony is an effective sonic transcription of the Israel and Palestine binomy.
Despite the repeated murmurings of a judicial ruling that makes the space uninhabitable,
Asher resist this dynamic by making use of the porous nature of the spoken word.
The repeated evacuation order in English collapses into meaninglessness through repetition and sonic confusion, while other languages find a way to inhabit a space of extra-linguistic power.
Other Meira Asher' works has been released on Crammed, Sub Rosa and Auditorium.
One of her last issue is a version of the famous Antonin Artaud's 1947 radiowork
"Pour en finir avec le jugement de Dieu" adapted in Hebrew langage.
LP version on Bandcamp
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