" – Peu importe d’où l’on vient. Il n’y a pas de tonique. Le thème et son développement ne sont qu’un mirage…
Il y a une musique toujours inattendue.
– Et les dissonances ?
– Dieu les a créées, elles aussi…"
Jaume Cabré - "Voyage d'hiver" - 2014

”La terre, il se pourrait bien après tout que ce soit une espèce
de merveilleux petit appareil enregistreur, plaçé là par on ne sait qui,
pour capter tous les bruits qui circulent mystérieusement dans l’Univers.”
Pierre Reverdy - ”En vrac” - 1929

”J’entends tous les bruits de la terre grâce à mes oreilles et mes nerfs de cristal
dans lesquels circulent le feu du ciel et celui des volcans.”
Michel Leiris - ”Le point cardinal” - 1927

"L'écoute, c'est l'ombre de la composition"
Pascal Dusapin - 2008

"Go, go, go! ... Go! go! ..."
John Lee Hooker"

 

15/12/2012

Celestial excursions


Yesterday night, Robert Ashley did a solo performance for the "Art Press" 40th anniversary, at the Bibliothèque François Mitterand in Paris. Called "Answers and other songs", this lecture was amazing: his recitative voice, thoughtful of the stream and tempo of everyday speech, was alternately ondulating, pitching, singing, drawling with an obvious lucidity and a real sense of humour.
One of the piece he performed was "Love is a good example".

......

"Celestial excursions" is an opera composed by Robert Ashley in 2003.
The opera delves into the wild intermingling of loss, regret, nightmares, old sayings and old songs on the radio. Composed for solo voices and pre-recorded orchestra, the opera's originality lies in a vocal ensemble technique, unique to Ashley, which puts the vocal soloist in the midst of a swirling chorus.
Here are some excerpts of this piece.




"The essence of my music is that the syllables go by as fast as they do in the American English language and the pitch stresses, which make one syllable more important than the other syllable, are all within a range of half an octave. It's like you squeeze it in one direction and expand it in another direction. I've always been interested in tempo because it's a big, big factor in vocal music. The other factors, like melody, have been used up for the time being."  - Robert Ashley (from "The Wire" - august 2003)

Robert Ashley's major works are available on Lovely Music and Alga Marghen
& despite of his great pieces and recordings, i recommend particulary the CD  "Tap Dancing in the Sand"  featuring the MAE Ensemble on the label  Unsounds -  2007

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